神秘之地- 華盛頓美國國會大廈 (上)

神秘之地- 美國國會大廈
Mystical Sites – U.S. Capitol
By Vigilant
Category: Sinister Sites

The US Capitol is not simply another governmental building. It is the spiritual center of the United States. Its structure, its art and its symbols all reveal the great importance of secret Fraternities in the shaping of the world most powerful government. We’ll explore the Capitol and discover the features that make this building a Masonic site, an American Temple of Solomon.
美國國會不單只是另一座政府建築物，它是美國的精神中心。它的結構，它的藝術和它的象徵，全都反映出秘密兄弟會非常大的重要性，在塑造世界上最強大的政府。我們將探索國會大廈和發掘特徵，使這建築成為一個共濟會的地點：一座美國人的所羅門神殿。

The Capitol is viewed by the average American as the seat of democracy, where big political decisions are taken. Very few recognize the spiritual elements of the architecture and the symbolism of the building which literally makes it a temple of Masonic mysteries. At the center of it all is George Washington, a 33rd degree Freemason being anointed as the “American Christ”. The building of the Capitol involved many notions unknown to the common man yet the builders seemed to give great importance to them: alignment with heavenly bodies, importance of ley lines, occult numerology, spiritual energy, etc. Those things might sound like “crazy New Age stuff” to the average Joe not to the Founding Fathers who attributed great importance the them. Here’s a look at the meaning of the Capitol.
國會大樓被一般美國人視為民主的座位，在那裡決定重大的政治。很少人認許到建築物的精神元素，和建築物的象徵意義，它實質上使它成為共濟會奧秘的廟宇。在它的中心全是喬治華盛頓，一個 33度共濟會員被欽點為“美國的基督”。國會大廈的建築涉及到許多慨念，為普通人所未知的，但建設者看來給它們很大的重要性：與天體對齊，史前地貌的重要性，命理神秘學，精神能量，等等。那些事情東西可能聽起來像“瘋狂的新紀元東西“，對一般的傢伙但不是對開國元勳，他們歸功於他們的重要意義。這裡看一看國會大廈的意義。

由共濟會興建
Built by Freemasonry
The Capitol, like all Washington DC, has been almost entirely designed by Freemasons and integrates within its architecture and artwork the “keys to the Craft”.
國會大廈，似全個華盛頓首都，已幾乎完全由共濟會員設計，和在內綜合其建築和藝術品“工藝之鑰匙”。

The United States Capitol, at Washington, D.C., was the creation of a succession
of architects who were almost all Freemasons. Originally designed by William
Thornton (1759-1828), the work was completed by Brother Benjamin Latrobe (a
pupil of the English architect Samuel Pepys Cockerell, 1754-1827) who also
redesigned it after the War of 1812. The flanking wings and the great dome were
added later by Brother Thomas Ustick Walter.
-phoenixmasonry.org
The laying of the cornerstone by Washington in full Masonic attire
華盛頓着全共濟會盛裝奠基

The cornerstone of the U.S. Capitol Building was laid with Masonic Honors on
September 18, 1793 under the auspices of the Grand Lodge of Maryland. At the
ceremony, President George Washington presided. Worshipful Brother Washington
was assisted by R.W. Bro. Joseph Clarke, Grand Master pro. tem. of Maryland,
Wor. Elisha C. Dick, Master of Alexandria Lodge No. 22 of Virginia (Washington’s
home Lodge) and Wor. Valentine Reintzel, Master of Lodge No. 9 of Maryland (now
Potomac Lodge No. 5 of the District of Colombia).
-Ibid.

地理佈局
Geographical Layout
The Capitol facing the Washington Monument
國會大廈面對華盛頓紀念碑

Washington DC was carefully laid out in accordance to ancient occult principles. The Capitol is a vital part of the design by its location and its shape. The Capitol’s most important feature is of course its massive dome which carries heavy symbolic meaning, as we’ll see later. This dome faces the Washington Monument, the 555.5 foot tall (6,666 inches) replica of an Egyptian obelisk. This layout is strikingly similar to St.Peter’s Square in the Vatican, where an obelisk faces a giant dome.
華盛頓首都是認真地規劃，按照古老的神秘學原則。以它的位置和形狀，國會大廈是設計的必然部分，國會大廈的最重要特徵，當然是其大型而帶有象徵意義的圓頂，亦是之後我們將看的。這圓頂面對華盛頓紀念碑，那555.5呎高（6,666吋）的埃及方尖碑複製品。這佈局是驚人的相似梵蒂岡內的聖彼得廣場，在裡一方尖碑面對著一巨大的半圓體。
St.Peter Square, Vatican. An obelisk facing a dome.
梵蒂岡聖彼德廣場，方尖碑對住圓頂。

The same layout can also be found in Paris, Astana and many other cities. There is no coincidence here: this layout carries an important alchemical meaning. In almost all cultures the dome has been associated with the female principle, the womb, the matrix. Opposed to it is the obelisk, the ancient Egyptian phallic symbol representing the male principle. The union of those two principles gives birth to a third entity, an offspring, that can be described as “spiritual energy”. Whether this energy is symbolic or a palpable reality is something that I’m not (yet) qualified to advance on. Many theories claim that shapes such as pyramids, domes and arches can either store, extract or diffuse energy from their surrounding area but I’ll leave this analysis to someone else. The theme of the union of male and female principles is very common in occult architecture and is surely the most easily recognizable.
同樣的佈局亦能在巴黎、阿斯塔納和許多其它城市找到，這裡沒有巧合：這種佈局含有重要的煉金術意義。在幾乎所有的文化，圓頂一直聯繫著女性本源：子宮、矩陣。和它相對的是方尖碑，古埃及的陽具象徵代表男性本源。這兩項本源的聯合給予第三個實體生命，一個後代，可以被稱為“精神能量”。無論這種能量是象徵性的或是一明顯的事實，終究是某些事我（仍）沒有資格作進一步。許多理論聲稱，形狀如金字塔、圓頂和拱門是能存儲、提煉或擴散來自其周邊地區的能量，但我會留下這個分析給別人。男性和女性本源結合的主題，在神秘性的建築是很常見的，和肯定是極容易辨認。
Let’s look at the Capitol. Imagine a straight line starting at the tip of the Capitol’s dome and going down, right to the crypt. This is how we’ll explore the Capitol.
讓我們看看國會大廈，想像一條直線從國會大廈的圓頂尖起和下降，直去到地下室。這將是我們如何探討國會大廈。

自由神像
Freedom Statue Standing at top of the dome of the Capitol is the enigmatic Statue of Freedom standing on a spherical shape, which probably represent Earth. Around this globe is the saying “E Pluribus Unum” (Out of Many, One).
站在國會大廈半圓體之頂，是如謎的像自由神像站在球形上，球形可能代表地球。圍繞這地球是那說法：“合眾為一”（出自很多，成一）。

She is a female allegorical figure whose right hand holds
the hilt of a sheathed sword while a laurel wreath of victory and the Shield of
the United States are clasped in her left hand. The heraldic shield is the same
as in the Great Seal of the United States, with thirteen stripes, except that
the chief has stars (again, thirteen). Her chiton is secured by a brooch
inscribed “U.S.” and is partially covered by a heavy, Indian-style fringed
blanket thrown over her left shoulder. She symbolically faces east towards the
main entrance of the building which means that incidentally, the sun never sets
on Freedom.

So who is this Goddess standing on top of America’s most important building and overlooking the state Capital? She’s certainly not the Virgin Mary (you’d be surprised at the number of people who think that) and she cannot be positively associated with any ancient goddess. Truth is, the district bears her name. D.C. = District of Columbia. She is the allegorical goddess of America, the typically American mythological figure, Columbia.
所以這女神是誰站在美國最重要的建築物的頂上，高瞰國家首都？她肯定不是聖母（你會感到驚訝很多人認為是），和她不能正確地與任何古代女神有關。真相是，區域載有她的名字，D.C. =哥倫比亞區域，她是美國女神的寓意，作為特色的美國神話人物，哥倫比亞。


圓頂
The Dome
The dome of the Capitol features in its occulus an incredibly significant painting that reveals the philosophical, spiritual and political aims of the Founding Fathers. Rare are the writers have discussed the gnostic, alchemical and esoteric meaning of this work, yet it has been visited by millions of tourists. The interesting book “Freedom’s Gate” written by William Henry and Mark Gray is the only work I’ve found analyzing the mystical meaning of this painting called “The Apotheosis”.
國會大廈圓頂在它的神秘物中 起重要作用，一幅難以置信地重要的畫作，揭示了開國元勳在哲學、精神和政治的目標。罕有的是作家有討論這作品的諾斯替、煉金術和秘傳意義，然而它已被數以百萬計的遊客探訪過。威廉亨利和馬克基寫的有趣書“自由之門”，是唯一我已發現的作品，有分析這幅被稱為“尊奉為神”的畫作的神秘含義。
“The Apotheosis” is the work of Constantino Brumidi, an Italian artist who became famous for his paintings commissioned by the Vatican and Pope Pius IX. In 1848, an attempt to overthrow papal power in the Vatican was led by Freemason Giuseppe Manzini, which lead to a period of chaos and the fleeing of the Pope. The revolution wasn’t however successful and papal power was restored by a Europeen coalition. Surprisingly, Brumidi was arrested in and found guilty of leading one of Manzini’s revolutionary groups to overthrow the Vatican. He served some of his sentence in prisons but was later permitted to leave Italy for the USA under the condition that he would never come back. He then made a name for himself in the USA by working for occult fraternities sucha s the Jesuits and such. Burmidi’s story is in perfect accordance with the Capitol’s status as the “Anti-Vatican” or the mirror, Mystery Religion opposite of the Vatican. Let’s look at Brumidi’s magnum opus, the Apotheosis.
“尊奉為神”是意大利藝術家康斯坦丁奴布魯米迪的作品，他成名因為他的畫作被梵蒂岡和教皇庇護九世委託。 在1848年，一項由共濟會員朱塞佩齊尼領導，企圖推翻教皇在梵蒂岡的權力，它導致一個時期的混亂和教皇出逃。但革命沒有成功，教皇的權力由一個東歐聯盟恢復。驚訝的是，布魯米迪被捕和被判有罪，因為領導其中一個曼齊尼的革命團體去推翻梵蒂岡。他在監獄中服了一些刑期，但後來被准許離開意大利去美國，條件是他永不回來。他隨後在美國為自己打出名堂，以為神秘的聯誼會蘇哈 的耶酥會士等工作。 布魯米迪的故事是完美的參照，有國會大厦的狀況如“反梵蒂岡”或榜樣，神秘宗教與梵蒂岡相反。讓我們來看看布魯米迪的巨著的典範：尊奉為神。
An apotheosis can be defined as the exaltation of a subject to divine level. In other words, this painting depicts the elevation of George Washington to a god-man status, like Jesus Christ. He is shown seated on a rainbow and behind him is the gateway, the vortex, the sungate to the heavens (the spirit world). As stated above, the dome esoterically represents the womb giver of life. Washington is about to exit the womb of the dome to experience rebirth as an immortal god. William Henry has appropriately noted that Jesus Christ’s divinity was portrayed in a similar way in ancient religious art.
一個尊奉為神可以被定義為，一個主題昇華到神聖的水平。換句話說，此畫描繪喬治華盛頓提升至神人的地位，似耶穌基督。祂被顯示坐在彩虹上和祂身後的是關閘，漩渦，太陽閘去天堂（靈界）。如上所述，秘傳的圓頂代表子宮生命的給予者。華盛頓即將出半圓子宮，去體驗重生作為一位不朽的神。威廉亨利已適當地指出，耶穌基督的神性，被類似的方法描繪在古代的宗教藝術。
“The Last Judgment” (Detail) by Hans Memling – Christ on a rainbow with sungate behind him
由漢斯梅姆林的“最後的審判”（詳細） - 基督在彩虹上與太陽閘在身後
“Christ in Majesty”. He again find here Jesus on a rainbow surrounded by religious figures.
“威嚴中的基督”，他再次在此發現耶穌在彩虹上被宗教人物環繞。

The Apotheosis sends therefore a clear message: George Washington is the American Christ. This might sound blasphemous to the average Christian but it is in perfect harmony with the Masonic/Rosicrucian/Gnostic philosophy of the builders of the Capitol.
尊奉為神因此發出一個明確的信息：喬治華盛頓是美國的基督。這可能聽起來褻瀆一般基督徒，但它是完美和諧的，在共濟會 /玫瑰十字會 /國會大廈的諾斯底哲學建設者。
The esoteric teachings of those Orders explain that a spark of divinity lies dormant within each person. This inner-godliness can be awakened through rigorous intellectual and spiritual training and the mastering of occult arts. The result of a successful training is the birth of perfected man, a Christ, a god-man. Rosicrucians believe that Jesus Christ’s teachings, like Buddha’s, show the path to the spiritual reform that one must undertake to attain illumination. George Washington, as a 33rd degree Mason has reached this exalted level.
那些秩序的秘傳教導解釋，神性的火花是休眠地處於每個人內，這內在神聖可以喚醒，通過嚴格的智力和精神的訓練及掌握神秘學的藝術。成功的訓練結果是完美人的出生，一個基督，一個神人。玫瑰十字會相信耶穌基督的教導，像佛祖的，是顯示方法去作靈性的改革，一個人必須履行才達到光明。喬治華盛頓作為第33度共濟會員，已經達到這個崇高的水平。
Contrarily to the above paintings of Jesus where he was surrounded by angel and Saints, Washington is surrounded by important figures of ancient paganism, which are intricate parts of the Masonic mysteries:
相反於上述的耶穌畫作，在那裡衪被天使和聖人包圍；華盛頓是被古代異教的重要人物包圍，它是共濟會奧秘的複雜部份：
Toth Hermes with his Caduceus and winged hat
托特愛馬仕與他的眾神使者的手杖和翅帽，
Poseidon, king of Atlantis and his daughter Venus
亞特蘭蒂斯國王波塞冬和他的女兒維納斯
Vulcan, god of Fire and also esoterically the god of Alchemy
火神和亦是秘傳的煉金術之神
Freedom (aka Columbia) shooing away kings and tyrants
自由（又名哥倫比亞）噓走國王和暴君
Ceres goddess of agriculture
農業女神谷神星
Minerva goddess of wisdom
智慧女神密涅瓦

Hermes, Poseidon, Vulcan, Freedom, Ceres and Minerva are meant to respectively represent commerce, marine, mechanics, war, agriculture and wisdom.
The painting hides however an esoteric, alchemical meaning.
愛馬仕、波塞冬、火神、自由、谷神星和密涅瓦是為了分別代表商業、海洋、機械、戰爭、農業和智慧。
不過畫作隱藏一 祕傳的、煉金的意義。
http://vigilantcitizen.com/?p=1734

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