邪惡之地 - 洛克菲勒中心

邪惡之地 - 洛克菲勒中心
Sinister Sites – Rockefeller Center
Feb 21st, 2009
By Vigilant
Translation by Autumnson Blog
“How can the site of the most famous skating rink in the world be considered sinister? You know the one that’s in all romantic comedies…the best first date activity ever!? And what about that huge Christmas tree that we see in ALL holiday movies? That’s not sinister, that’s magical!”.
“世界上最有名的溜冰場地點如何能被視為邪惡？你知道的一個那是在所有的浪漫喜劇 ...最好的有史以來第一次約會活動！？和我們在所有假日電影中看到的巨大聖誕樹又是怎麼回事？那不是邪惡，那是魔法的！“。
If that’s what you’re thinking right now, you should probably press pause on your “You’ve Got Mail” Deluxe Edition DVD and read on. If you’re not surprised that a center called “Rockefeller” contains tons of occult and even luciferian symbolism, as well as references to a New World Order, then you should also read on because I will reinforce what you’re already thinking, and everybody likes that.
如果那是你現在正在想的東西，你應該可能要按暫停制在您的“你已有郵件”豪華版DVD上和繼續閱讀。如果你並不感到驚訝有一個中心被稱為“洛克菲勒”，是包含以噸計的神秘學和甚至路西弗信徒的象徵意義，以及新世界秩序的參照，那麼你也應該繼續閱讀，因為我將加強你已在思考的，和每一個人喜歡那的。
This complex of 19 commercial buildings is situated between Fifth and Seventh avenues in New York City and is famous for its Art Deco style. It is one of the last building projects in the United States to have incorporated a program of public art. The submissions chosen all fit a particular philosophy and some artists have been asked to change their work so it fits the theme of the Rockefeller center which is: Luciferianism.
這 19幢商業大廈的複式位於紐約市第五和第七街，和是著名於它的裝飾藝術風格，它是美國其中一個最後的建設項目，已納入一個公共藝術的項目，被選擇的提交全部適合一特定的哲學，和一些藝術家也已被要求改變他們的作品，以便它適合洛克菲勒中心的主題：路西弗主義。

路西弗主義
Luciferianism

The Devil—Lucifer—is a force for good (where I define ‘good’ simply as that
which I value, not wanting to imply any universal validity or necessity to the
orientation). ‘Lucifer’ means ‘light-bringer’ and this should begin to clue us
in to his symbolic importance. The story is that God threw Lucifer out of Heaven
because Lucifer had started to question God and was spreading dissension among
the angels. We must remember that this story is told from the point of view of
the Godists (if I may coin a term) and not from that of the Luciferians (I will
use this term to distinguish us from the official Satanists with whom I have
fundamental differences). The truth may just as easily be that Lucifer resigned
from heaven.
-Max More
Modern Luciferianism takes its roots from Gnostic teachings as well as ancient Egyptian and Babylonian paganism. God of the material world is seen as a stubborn and sadistic figure who seeks to keep mankind into perpetual darkness while Lucifer is the savior of humanity by giving it the gift of knowledge. If we reinterpret the Adam and Eve story through Luciferian glasses, the serpent is actually the “undercover savior” who defied God and gave humans the opportunity to become gods themselves. He is credited to have unleashed man’s awesome potential.

“Luciferianism represents a radical revaluation of humanity’s ageless adversary:
Satan. It is the ultimate inversion of good and evil. The formula for this
inversion is reflected by the narrative paradigm of the Gnostic Hypostasis
myth.
As opposed to the original Biblical version, the Gnostic account
represents a
“revaluation of the Hebraic story of the first man’s
temptation, the desire of
mere men to ‘be as gods’ by partaking of the tree
of the ‘knowledge of good and
evil’”
-Raschke 26

Luciferians seek during their lifetime to reach a higher level of being by obtaining illumination (often represented by a torch). An illuminated person or (illuminatus) has gained enough mystic knowledge and spiritual attainment to reach a god-like status. Ancient Mystery religion promise the
路西弗信徒在其一生中尋求以獲得光照（通常用一枝火炬代表）去達到人的更高水平。一個被光照的人或照明（illuminatus）已獲得足夠的神秘知識和精神素養，以達到似神一樣的地位。古代神秘宗教承諾：

“opportunity to erase the curse of mortality by direct encounter with the patron
deity, or in many instances by actually undergoing an apotheosis, a
transfiguration of human into divine“.
-Raschke 26“
以直接接觸守護神有機會去除去死亡的詛咒，或在許多例子中，以實際經歷一擬神化，一種變形從人到神“。
-拉舍克26

Luciferians do not necessarily worship “the Devil” as a metaphysical entity. Lucifer symbolizes the cognitive powers of man, its potential to reach godliness by its own means. Luciferians believe that those attributes will eventually dethrone God and bring humans to their rightful place, as deities. This doctrine is fully embodied by humanism and its technological counterpart transhumanism. Clothed in an acceptable phrasing inside a judeo-christian context (“humanist” sounds less threatening and evil than “luciferian”), these philosophies are now part of popular culture. Through technological advancements and scientific breakthrough, extremely wealthy figures like Ray Kurzweil are publicly seeking to reach technological immortality. Transhumanist intellectual Max More has stated in his essay:

God, being the well-documented sadist that he is, no doubt wanted to keep
Lucifer around so that he could punish him and try to get him back under his
(God’s) power. Probably what really happened was that Lucifer came to hate God’s
kingdom, his sadism, his demand for slavish conformity and obedience, his
psychotic rage at any display of independent thinking and behavior. Lucifer
realized that he could never fully think for himself and could certainly not act
on his independent thinking so long as he was under God’s control. Therefore he
left Heaven, that terrible spiritual-State ruled by the cosmic sadist Jehovah,
and was accompanied by some of the angels who had had enough courage to question
God’s authority and his value-perspective.

Lucifer is the embodiment of
reason, of intelligence, of critical thought. He stands against the dogma of God
and all other dogmas. He stands for the exploration of new ideas and new
perspectives in the pursuit of truth.
-Max More

So, what does all of this have to do with the Rockefeller Center? The sculptures, the bas reliefs and the murals all refer the same theme: the triumph of Man over God through the acquisition of knowledge.


普羅米修斯噴泉
Prometheus Fountain
This statue depicts Prometheus, a Titan of Greek mythology known for his great intelligence. He has however betrayed the god Zeus by stealing fire and giving it to mankind. He therefore credited to have taught mankind the arts of civilization such as writing, mathematics, agriculture, medicine, and science. Zeus then punished Prometheus for his crime by having him bound to a rock while a great eagle ate his liver every day only to have it grow back to be eaten again the next day.

Prometheus [the name means Forethought] was a not a fool, but why else would he
rebel against Zeus? He tried to trick Zeus (who knows all and sees all) with a
false sacrifice. How foolish can you get? Prometheus also stole fire from Zeus
and gave it to the primitive mortals on the earth. Zeus did not punish
Prometheus alone, he punished the entire world for the effrontery of this rebel
god.
-Stewart

The Judeo-Christian equivalent of this myth is Lucifer, who has brought the gift of consciousness to humanity, as the serpent in Adam and Eve.

Prometheus
1.Blessed with great intelligence
2.Saw great potential in mankind
3.Defied Zeus’ authority
4.Called the “Fire Bringer”
5.Severly punished by Zeus (tied up and had liver eaten by eagle daily)
6.Humanity suffered the wrath of Zeus

Lucifer
1.Blessed with great intelligence
2.Saw great potential in Adam and Eve
3.Defied God’s authority
4.Called the “Light Bringer”
5.Severly punished by God (expelled from the Heavens)
6.Humanity suffered the wrath of God

Prometheus is the Hellenic equivalent of the Judeo-Christian Lucifer and is often used as the symbol of enlightenment.

Some classically-educated Free Masons and those inspired by their work used
“luciferian” in the scholarly sense of “bringing enlightenment”, invoking
Prometheus who stole fire from the gods to bring to man. Polemicists linked such
Masonic usage with sects worshiping Lucifer, which have had persistent groups of
followers since the Middle Ages.
-Wikipedia


Paul Manship’s sculpture featured in the Sunken Plaza of the Rockefeller Center portays Prometheus holding the fire stolen from Zeus and gliding towards humanity. He lies inside a ring in which are outlined the signs of the Zodiac. Behind the statue is an inscription saying:

“Prometheus, teacher in every art, brought the fire that hath proved to mortals
a means to mighty ends.”

“Mighty ends” means reaching enlightenment and acheiving godliness. This artwork basically sums up the Luciferian doctrine and acts as the central figure around which the Rockefeller Center’s art program revolves around.



普羅米修斯的創作
Prometheus’ CreationsFlanking the statue of Prometheus are Youth and Maiden. These are the first humans created by from Prometheus out of clay.

This is the setting: Prometheus (aka the Hellenic Lucifer) is located at the center of the Sunken Plaza and is flanked by his creation, mankind. In other words, we are Prometheus’ sons and daughters.


Urizen或造物主
Urizen or the Demiurge
On top of the entrance of the GE Building is this impressive Art Deco frieze. It depicts a bearded man holding a huge compass and a quote from the Book of Isaiah. This is a direct reference to William Blake’s “Urizen” engravement, where God is a bearded man holding a compass.
This image is featured in Blake’s “Book of Urizen”, released in 1794. This obscure English author is known for his rich mythology, cryptic poems and prophetic imagery. This particular piece represents Urizen, the god of the material world. His traits are almost identical of the Gnostic god called “demiurge”, an inferior creator deity, who built a flawed world which imprisons man into the material realm. The Book of Urizen reflects the basic tenants of luciferianism, where the Good versus Evil struggle as described and Judeo-Christian philosophies are inverted.

“Blake’s work is thus an unprecedented and confounding critique of the very
cornerstones of Judeo-Christian civilization: the Word and the Law. Evil is
traditionally represented as a turning away from the one or the other – from
Satan’s non servatim to the eating of the “forbidden fruit”, but here the Word
and the Law are literally presented as manacles closing away the boundless
possibility of the universe to the dull prison of the senses and the holy books.
Science and religion cease to be opposing forces in Blake’s understanding,
instead becoming obstacles to true knowledge – one by binding sight in the laws
of the material universe, the other by binding thought in the words of the holy
books. In this sense, the only possible “Good” as far as Blake is concerned, is
the rebellion of sight – growing to see multiple possibilities through ecstatic
vision. For Blake this probably meant mystical and artistic gnosis, but
intellectually it can be applied to all kinds of pluralist, multilateral
thinking, if not to literal “mind-expansion”.
-Daniil Leiderman

The Gnostic god featured at the entrance of GE building holds a huge compass which is used as a tool of creation. We find here a not-so-subtle reference to Freemasonry, where the compass is used by the “Great Architect” to shape the physical world.

Under Urizen we find the quote from the Book of Isaiah:

“Wisdom and knowledge shall be the stability of thy times“.
- Book of Isaiah
33:6

The book of Isaiah as a whole contains prophecies of future times, predicting the fall and punishment of Babylon (both ancient and future “Babylon the Great”). The quoted verse describes what will sustain people in these prophesied times of great tribulations: knowledge and wisdom. Isaiah’s cryptic text describes a time where “nobody in Jerusalem shall be ill”, seemingly referring to times where science and technology would be advanced enough to cure man’s sickness. In this context, the “great tribulations” refer to the coming of a New World Order, where all countries would be united under a single world government, an admitted goal of the Rockefeller family.

轉劍為犁
Swords into Plowshares
This relief refers to Isaiah 2:4 and depicts swords turning into plowshares. Here is the biblical verse:
這慰藉可參考以賽亞 2:4和描繪刀劍變成犁，這是聖經的章節：

He will judge between the nations
and will settle disputes for many
peoples.
They will beat their swords into plowshares
and their spears
into pruning hooks.
Nation will not take up sword against nation,
nor
will they train for war anymore.
-Isaiah 2:4
他 必 在 列 國 中 施 行 審 判 、 為 許 多
國 民 斷 定 是 非 ． 他 們 要 將 刀 打 成 犁 頭 、 把 槍 打 成 鐮 刀 ． 這 國 不 舉 刀 攻 擊 那 國 、 他 們 也 不 再 學
習 戰 事 。
以 賽 亞 書2:4

Again, this is a subtle yet very direct allusion to a New World order. The verse describes a whole with one court for all nations, one government for all nations and the coming of an era of world peace. The image of swords being beaten into plowshares is also prominently shown on one of the New World Order murals of the Denver International Aiport. Members of the Rockefeller family have always been actors working towards a one world government and it is not surprising to find references to this plan etched on their buildings. David Rockeller stated in his memoirs

“For more than century, ideological extremists at either end of the political spectrum have seized upon well-publicized incidents to attack the Rockefeller family from the inordinate influence they claim we wield over American political and economic institutions. Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as “internationalists” and of conspiring with others around the world to build a more integrated global political and economic structure – one world if you will. It that’s the charge, I stand guilty, and I am proud of it”.
-Memoirs, David Rockefeller p.405

Question is: were they already aware of a plan for a New World Order in the 1930’s, when the Plaza was built? Answer: Yes, yes they were. The idea isn’t new at all.


阿特拉斯
Atlas
Guess why Atlas has been forced to carry the celestial world on his shoulders? Because he defied Zeus the god. The north-south axis of the armillary sphere on his shoulders points to the North Star as viewed from New York City. Laid across Atlas’s shoulders is a wide, curved beam that displays a frieze of the traditional symbols for Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune. Adjacent to Earth (over Atlas’s right forearm) is a small crescent symbolizing the Moon. Affixed to one of the sphere’s rings are symbols for twelve constellations through which the Sun passes during the year.
猜測為什麼阿特拉斯已被迫在他的肩膀上攜帶天體世界？因為他不違抗宙斯神。在他肩膀上的渾天儀的南北軸線，指向北極星被視為來自紐約市。橫放在阿特拉斯肩膀上的是一個寬、彎的樑，展示雕帶水星、金星、地球、火星、木星、土星、天王星和海王星的傳統象徵的中楣。斜對著地球的（在阿特拉斯的右前臂上）是一個象徵月亮的小新月。被附加到一個球體的環的都是12星座的象徵，通過那太陽在年內可經過。
This sculpture can be described as a luciferian equivalent of Christ nailed to the cross. Atlas is sacrificing himself for his act of defiance against the gods.
雕塑可以被描述為一位路西弗 相當於基督被釘在十字架。 Atlas是犧牲自己為他違抗眾神的行為。
The sculpture has caused its fair share of controversy. First, the nude and pagan statue was placed right in front of St.Patrick’s Church, which wasn’t well accepted at the times. Second, from behind, the statue looks like crucified Jesus Christ.
雕塑已導致爭議的公平分享；首先，裸體和異教徒的雕像被放在聖帕特里克教堂的正前方，那不是被接受的時代。其次，從後面，雕像看起來像耶穌基督釘十字架。
Finally, Lee Lawrie has been accused of modeling Atlas face after Italian fascist dictator Benito Mussolini, who was in power at the time.
最後，李勞裡被指控塑造Atlas面孔，在意大利人法西斯獨裁者貝尼托墨索里尼後，他那時正在執政。

The same way Atlas defied Zeus in Mythology, the sculpture defies Christianity and even democracy in New York city.
以同樣的方式在神話中Atlas違抗宙斯，在紐約市雕刻品蔑視基督教和甚至民主。

其它素材
Other Stuff
The Rockefeller Center is full of impressive bas-reliefs, murals and sculptures, with plenty of symbolism and imagery. If you go visit the place, you will probably see many other details I’ve missed (feel free to send them to me). It is impossible to review in depth everything on display but I will leave you with some interesting pieces you can investigate yourself. Notice the Babylonian/Egyptian influence, the omnipresence of the torch of illumination and the occult symbols scattered throughout the site.
洛克菲勒中心是滿有令人印象深刻的浮雕、壁畫和雕塑作品，有大量的象徵主義和比喻。如果你去參觀那地方，你可能會看到很多其它我已錯過的細節（隨時寄它們給我）。它是不可能深入審查每一樣陳列的東西，但我會留給你一些有趣的作品你可以自己調查。注意巴比倫人 /埃及人的影響，無處不在的照明火炬和神秘學符號分散在整個地點。
Mural representing thought as a godly figure sending its gift to man and the fate of the ignorant:
壁畫代表思想，當一個 神的人物派送禮物給男人，和無知者的命運：


Under the wings of the torch of Illumination:
在照明火炬的翼下：
Columbia holding a cup of Divine knowledge:
哥倫比亞持有一杯神聖的知識：
These spiders have appeared in numerous sites across the world. They supposedly represent motherhood. I think they represent the dark forces preying over the masses. Take your pick.
這些蜘蛛已出現在世界各地許多地點，它們可能代表母親們。我想他們是代表黑暗勢力在群眾上捕食，挑你要的。
結論
To Conclude
The collection of artworks on display at the Rockefeller Center communicate a cohesive message that can be deciphered by analyzing the cultural and mystical references behind the symbols. The art program as a whole applauds an emancipation from the inferior god, celebrates the mythological figures who have been defiant of god’s rule and glorifies Man’s quest to achieve godliness. Mankind’s progress in arts and science considered to have been acheived DESPITE God, making the Rockefeller Centre a virtual temple of worship for the Luciferian doctrine.
在洛克菲勒中心陳列的藝術品收藏傳遞一個有凝聚力的信息，它可通過分析象徵背後的文化和神秘索引去解碼。藝術項目作為一個整體讚揚從次等神的解放，慶祝神話中的人物，他們違抗神的統治，美化男人去達到聖潔的追求。人類在藝術和科學的進步，儘管有上帝但被認為已達到，使得洛克菲勒中心成為路西弗教義的虛擬崇拜寺廟。

Luciferianism constitutes the nucleus of the ruling class religion. It accounts for the longevity of many of the oligarch’s plans, i.e. the New World Order. This plan has been discussed for centuries now (documents prove it) and many political decisions are made to lead towards it. Luciferianism provides the world elite the religious legitimacy to carry out plans that would otherwise be morally questionable or simply condemnable. The elite however believe that divine knowledge can only be acquired by deserving people while the rest of the population must stay in a state of mindless stupor. That is probably why the unsuspecting masses come every year to celebrate Christmas in this Luciferian temple without even realizing it. While the Rockefeller Center celebrates man’s triumph over God’s tyranny, it also celebrates the Illuminati’s tyranny over the ignorant man.
路西弗主義構成統治階級的宗教的原子核，它對許多長壽的寡頭計劃負有責任，即新世界秩序。這計劃現在已討論幾百年（有文件證明它）和許多的政治決策都導向它。 路西弗主義提供給世界精英那宗教的合法性，以實行計劃那相反地道德上有疑問或簡單地是可譴責的。但是精英相信，神聖的知識只能由值得的人得到，而其餘的人口必須停留在無意識的昏迷狀態。那可能是為什麼不知情的群眾，每年都前來路西弗寺廟去歡渡聖誕佳節，甚而沒有意識到這一點。雖然洛克菲勒中心慶祝人類戰勝上帝的 苛刻，它亦慶祝光明會對無知的人的暴虐。

http://vigilantcitizen.com/?p=329

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