The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry
Published on September 8, 2011
Written by: VC
Translation by Autumnson Blog
MTV’s Video Music Awards give out “Moon Man” trophies to music artists who have had success during the previous year. But there is much more to it than shiny trophies. The VMAs are a celebration of the Illuminati industry, of those who push its agenda and a promotional tool to put the next generation of “initiates” into the spotlight. We’ll look at the 2011 VMAs, the stars that were celebrated and the material that leads them there.
MTV的音樂錄影帶獎將“月球人”獎杯給予在過去一年成功的音樂藝人，但它是有多於祇是閃亮的獎杯。音樂錄影帶獎是一場光明會音樂業的慶祝，對那些推動它的議程的人，和一件推廣工具去把下一代的“新成員”進人大光燈。我們將看看2011年的VMA，被慶賀的明星和導致他/她們在那裡的材料。
MTV音樂錄影帶獎被認為是幾小時的演出和獲獎感言，夾雜著一些令人震驚的時刻以產生宣傳，但頒獎儀式還有更多於滿足眼目的。這個在世界各地廣播的大型媒體活動，有以下幾個重要目的：首先，它是一件主要的推廣工具，允許一批選出的藝人獲得曝光和認同而忽視其他人;第二，它幾乎是一光明會產業的慶祝儀式，聚光在之前一年有份推動議程的藝人。我對 2009年VMA的文章描述了在整個節目中發現的儀式性和象徵性元素 - 有一肯定的神秘學元素暗藏在節目中，它反映了行業的心理狀態。
The 2011 VMAs arguably contained less occult ritualistic elements, but was still a tightly choreographed show featuring a very select number of artists. These few actors took turns, performing, presenting and awarding each other Moon Men. In other words, the VMAs can be compared to a burlesque play where a few actors take turns appearing on stage to interact with each others. Sometimes, new characters are introduced while others are “killed off”.
2011年VMA可以說包含較少的神秘學儀式元素，但仍然是一個緊密編排的節目由經過非常選擇的藝人客串。這幾位演員輪番表演、介紹和頒互月球人獎給另一個。換句話說，VMA可以一滑稽戲比較，其中幾位演員輪流上台彼此進行互動。有時候，新的角色被引入當其他人被“死光”的時候。
Almost all of the artists who were recognized at the VMAs have been featured in some way on this site (Vigilant Citizen, in case you forgot), which is not surprising as most or all of their work pushes some part of the Illuminati agenda. The main actors of this show were: Lady Gaga (of course), Katy Perry, Jessie-J, Jay-Z, Kanye West, Nicki Minaj, Beyonce and Odd Future. Wearing crazy, outlandish costumes and taking on theatrical personas, many of the artists featured in the award were not themselves, but playing characters. In fact, the show began with a long speech by Lady Gaga playing the role of a greasy Italian dude from the 1950s.
差不多所有的藝人在VMA被認織的已經以某種方式在此網站（警惕市民，倘若你忘記）客串過，那並不奇怪因為大部分或全部他們的作品推動光明會議程的某部分。這節目的主要演員有：Lady Gaga（當然的）、Katy Perry, Jessie-J, Jay-Z, Kanye West, Nicki Minaj, Beyonce 和 Odd Future。穿著瘋狂、古怪的服裝和呈現戲劇性的人物，很多在頒獎禮客串的藝人都不是他們自己，而是在玩弄角色。事實上，演出以加加夫人的長篇演說開始，扮演一位來自50年代的油頭粉面意大利花花公子的角色。
Let’s look at the several “acts” of the 2011 VMA’s and their meaning in the context of the Illuminati industry.
讓我們看看幾個2011年VMA的“表演”及它們在光明會產業中的來龍去脈的含義。
藝人和節目主持人從一個子宮般的舞台出現，正確地他們出自“獸的肚皮”。
加加夫人的改變人物
Lady Gaga’s Alter Persona
加加的改變自我開始了音樂錄影帶獎
The show opens with Gaga’s latest stunt: An male alter-ego that is a greasy annoying New York dude. Many of Gaga’s singles are accompanied with a complicated setup, including characters and theatrical props (remember the horns on her heads?) – all of which get exposure in several media outlets, including TV and magazines.
節目以Gaga的最新特技開始：一個雄性的改變自我是一個惱人的油頭粉面的意大利花花公子。許多 Gaga的單曲都伴隨著一個複雜的設置，包括人物和戲劇性的道具（記得她頭上的角嗎？） - 全都在幾間媒體得到曝光，包括電視和雜誌。
For her single Yoü And I, Gaga introduced Joe Calderone, a male alter-ego. Like most of Gaga’s other stunts, most people have absolutely no idea why Gaga did what she did. Why was she dressed as an Italian dude to sing a country-rock song? What’s the point? Like most of Gaga’s other stunts, the occult meaning of this whole charade can be found in the music video.
對於她的單曲你和我，加加介紹了一個雄性的改變自我Joe Calderone。像大多數Gaga的其它特技，大多數人絕對不知加加為什麼做她所做過的，為什麼她會打扮成一個意大利的花花公子唱一首鄉謠歌？有什麼意義呢？像大多數的Gaga的其它特技，這整個猜字謎遊戲的神秘學意義可以發現在音樂視頻中。
While the video could be the subject of an entire article, I can sum it up in two words: mind control. More specifically, it is about Monarch programming and the creation of alter-egos through the use of trauma-inducing techniques. In the video, Gaga is shown bound and tortured by a cruel handler who subjects her to the most common methods of mind control: Electroshock therapy, sexual abuse, the injection of drugs and physical torture. Yes, all of these things were portrayed in the video, along with the presence the several alter-egos created by the process. (If you have no idea what I am talking about, I suggest you read the article entitled Origins and Techniques of Monarch Mind Control).
儘管視頻可能是一整篇文章的主題，我可以總結為四個字：心靈控制。更確切地說，它是關於帝王編程和改變自我的創造，通過使用創傷誘導技術。在視頻中，加加顯示被綑綁和由一個殘酷的處理者折磨，他以最常用的精神控制方法實驗她：電擊療法、性虐待、注射毒品和肉體折磨。是的，所有這些東西在視頻中被描繪，伴隨著幾個在過程中創造的改變自我的存在。 （如果你不知道我說什麼，我建議你閱讀文章題為帝王心靈控制的起源與技術 Origins and Techniques of Monarch Mind Control）。
So Lady Gaga, who is already an alter-persona of Stefanie Germanotta (the real person) has another level of alter-ego that is pretty much the exact opposite of Lady Gaga: Male, dressed in drab clothes, not glamorous, not famous, etc. In Calderone’s long speech at the beginning of the VMAs, he says that Gaga left him and that he wants to be reunited with her. In occult terms, the union of opposites is called the “Alchemical Wedding” and is often represented by the figure of Baphomet – an androgynous, goat-headed deity. The title Yoü And I represents the union of the two opposite personas, Gaga and Joe Calderone, and, since they are basically same person, this ultimately creates an androgynous entity, not unlike Baphomet. In Kabbalistic lore, androgyny is perceived as the highest level of occult achievement and the concept of duality is strongly instilled in mind control victims. In other words, the presence of Joe Calderone at the VMAs is a big tribute to mind control. Good way to start a show. But Gaga did not stop there. She committed to her persona and played the role of Calderone during the entire show.
所以，已經是Stefanie Germanotta（真正的人）一個改變人物的加加夫人，有另一個層次的改變自我那幾乎完全是加加夫人的相反：雄性、穿著單調的衣服、不美艷、不出名等等，在VMA的開頭Calderone的長篇演說中，他說加加離開他而他想要與她重聚。以神秘學的說法，對立面的結盟被稱為“煉金婚禮”及往往由Baphomet這人物所代表 - 一個雌雄同體及山羊頭的神。你和我的歌名代表兩個相反人物的結合，加加和Joe Calderone，及由於他們基本上是同一個人，這最終創建一個雌雄同體的實體，與Baphomet沒有什麼不同。在卡巴拉傳說中，雌雄同體被視為是神秘學成就的最高層次，和雙重性理念被強烈地灌輸入精神控制的受害者中。換句話說，在VMA中Joe Calderone的存在是對精神控制的一個敬禮，好的方式去開始一個表演。但加加沒有就此止步，她致力投入她的人物和在整個節目中扮演Calderone的角色。
其他的改變人物
Other Alter Personas
Lady Gaga’s alter-persona was heavily featured at the VMAs, but most of the artists that participated in the awards also incorporate alter personas in their acts.
Lady Gaga的改變人物重重地成為VMA的特色，但大多數參加頒獎的藝人亦納入改變人物在他們的表演中。
Nicki Minaj
(待譯)
Katy Perry
Katy Perry was also all over the VMAs this year as one of the “main characters”. Her latest single titled Last Friday Night introduced Katy’s fans to her odd alter-ego: a nerdy 13 year old girl.
To sum up the Last Friday Night video, the awkward teenager gets a make-over from Rebecca Black in order to look like a slut, then gets drunk and has a menage à trois. Great message to girls between ages 10-14!
怪異的敬禮
Odd Tributes
Every award show presents tributes to artists who had an outstanding career and to the greats who left this world. The VMAs are no exception but these tributes are becoming increasingly odd, insincere and dedicated to victims of the industry. In the article on the 2009 VMAs, I described the tribute to Michael Jackson, which was given by Madonna – someone who did not particularly “click” with MJ. The tribute also featured a weird video montage featuring him as zombie – which is a strange way to honor a dead person.
The 2011 VMAs presented two tributes that were just as weird as they were almost mocking the artist in question.
Britney Spears
Britney was the recipient of the Michael Jackson Video Vanguard Award for her “influence in music video and dance”… although she did not direct any of her videos nor devise any of her choreography … but let’s forget this detail. To emphasize the non-sincerity of the tribute and to make sure to point out that “this is all an act”, the award is presented by an imaginary character…Lady Gaga’s Joe Calderone. Britney, who is a true mind control victim of the industry and who has often shown the desire to leave it all, is given an award by an alter-ego that is basically a tribute to mind control.
The tribute then proceeds to show a mix of Britney’s most popular videos whose costumes and choreography were reproduced by young girls.
When Britney finally gets on stage to accept her award, an awkward Joe Calderone pretty much steals the show.
Upon receiving her award, instead of giving acceptance speech and “having her moment”, Britney proceeds to … present Beyonce and goes on with Joe Calderone about how great she is. I am pretty sure that was scripted and forced on her, making this probably the most insincere tribute of all time. Or was it?
Amy Winehouse
Having lost her life a few weeks prior to the awards, it was only fair that Amy Winehouse got a tribute for her great talent. However, as we have seen in the article entitled Amy Winehouse and Club 27, her death might have been the result of a ritual sacrifice and the tribute was at least as odd as the one for Michael Jackson, another great who died in strange circumstances.
Russell Brand was selected to honor Amy Winehouse. He alluded to her great voice but mostly talked about how she was a “crazy person, stinking of booze and wondering around London”. He then went on to say that she was afflicted with a “disease” that affect a lot of people, alcoholism and drug addiction, although no traces of drugs were found in Winehouse nor at her home at the time of the death. Why not focus on the human being and her accomplishments?
The tribute performance that followed featured several images of Amy Winehouse with one eye hidden, which, as readers of this site know, is a symbol of Illuminati control.
另一張艾米的單眼影象似乎曾被Photoshop處理。
第一對夫婦和大公告
The First Couple and the Big Announcement
Like the last few VMA awards, Jay-Z and Beyonce were pretty much the King and Queen of the 2011 ceremonies. First, Jay-Z and Kanye West performed the first single from their album Watch the Throne. This album opens with a revealing song entitled No Church in the Wild (featuring Odd Future’s Frank Ocean). The song describes a philosophy that is akin to Aleister Crowley’s “Thelema”. Kanye West’s verse goes as follows:
Coke on her black skin made a stripe like a zebra
I call that jungle fever
You will not control the threesome
Just roll the weed up until I get me some
We formed a new religion
No sins as long as there’s permission
And deception is the only felony
So never f-ck nobody wit’out tellin’ me
Aleister Crowley’s motto was “Do What Thou Wilt” which seems to be echoed in Kanye saying “We formed a new religions/No sins as long as there’s permission”. Crowley was also known to have extensively experimented with drugs and sexuality in a spiritual context – another concept reflected by his verse. Later in the song, Kanye appears to be referring to relations with a Monarch sex kitten.
Thinkin’ ’bout the girl in all-leopard
Who was rubbin’ the wood like Kiki Shepard
Two tattooes, one read “No Apologies”
The other said “Love is cursed by monogamy”
The song therefore echoes similar themes to those communicated by other pop stars (such as Gaga) – which is the philosophy that is promoted by the entertainment industry.
Going back to the show, MTV’s first couple had an important announcement to its loyal subjects: the first lady is with child and will be giving birth to the successor of the king.
Proving the importance of the couple, this silent pregnancy announcement shattered all previous Twitter records with more than 8,000 tweets a second. This kind of attention reminded me of Jay-Z’s almost prophetic verse in the song New Day, from the album that was released about two weeks prior to the VMAs:
Sorry junior, I already ruined yaI would never speak ill of an unborn child. I will just hope that he/she won’t become another Willow Smith.
‘Cause you ain’t even alive, paparazzi pursuin’ ya
Sins of a father make yo’ life ten times harder
I just wanna take ya to a barber
Bondin’ on charters, all the shit that I never did
Teach ya good values, so you cherish it
Took me 26 years to find my path
My only job is cuttin’ the time in half
So at 13 we’ll have our first drink together
介紹新一代
Presenting the New Generation
The VMAs do not only celebrate current Illuminati artists, it “initiates” a new generation of artists who will carry the Illuminati torch into the future. A couple of new acts stood out in the 2011 VMAs.
Jessie J, who already released a few symbolic music videos (see the article entitled Jessie J’s “Price Tag”: It’s Not About Money, It’s About Mind Control), enjoyed great exposure during that night by occupying the Throne, where she performed about a dozen times.
The artist who obtained the most publicity was however Tyler the Creator from the alternate-rap, shock-rap, lo-fi rap, horrorcore rap, whatever-you-wanna-call-it-rap group Odd Future. Considered to be (by people who know nothing about rap) the “new Wu-Tang Clan”, Odd Future obtained great praise from artists like Kanye West, who deemed Yonkers to be the song of the year, while getting criticized by others, such as Chris Brown, who tweeted: “All this demonic music is wack as shi*! I never claim to be no saint but by no means am I trying to promote death, violence,and destruction with my music!”.
Whatever your opinion is on Tyler the Creator, it is obvious that his theatrical talent, his “anything to shock” attitude, his promotion of self-destruction and his love for inverted crosses will make him a perfect fit in the Illuminati industry. Expect to see a lot more of him in the future.
結論
In Conclusion
The VMAs are not simply a show designed to give out awards. They define who’s hot and who’s not. They celebrate in a ritualistic matter the type of “creativity” that is appreciated by the industry – superficial shock value. As we have seen in this article, almost all of the artists who obtained exposure during the VMAs have released albums and videos that were directly in line with the Illuminati agenda which includes: the promotion of mind control, self-destruction, materialism, superficiality, the sexualization of children and the demeaning of religions. Pushing these kinds of messages through lyrics and symbols is a requirement to be in the “good graces” of the industry – which is a giant, controlling machine, that works with codes and rituals and that heavily calculates and filters the messages sent to the masses.
Although many of the artists featured on the show are “eccentric” and “original”, the core message remains the same and is remarkably consistent, regardless of the musical genre. Aspiring artists who dream to obtain this level of celebrity, understand that this is the “mold to fit” in order to obtain success. The VMAs are an artificial creation that artificially promotes artists to create artificial hype. It is a fake show, filled with fake personas who sing with fake voices, wearing fake wigs and cracking fake smiles, giving fake tributes to other fakes who have been fake longer than them. Are there still real, authentic artists who sing from the heart and do not push “industry-approved” messages? Yes, but you won’t find them watching the VMAs. So turn off that TV and see what the real world has to offer.
http://vigilantcitizen.com/musicbusiness/the-2011-vmas-a-celebration-of-todays-illuminati-music-industry/
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