必看：流行音樂是巴比倫系統

流行音樂是巴比倫系統
Popular Music Is The Babylon System
Dumbed-down, amoral, nihilistic drivel from the likes of Gaga and Katy Perry serves to keep the masses in a state of spiritual decay.
簡單化、不道德、虛無主義的胡說八道來自加加和凱蒂佩里的喜好，用以使群眾處於一精神腐敗的狀態。

Paul Joseph Watson
Prison Planet.com
Friday, July 2, 2010

It has never been more apparent to those who have awakened from the slumber imposed upon them by popular culture that the establishment music industry now pumps out the most dumbed-down, monotonous, garbage which actually serves to induce depression and despair in those who are enlightened and aware, while providing hypnotizing bread and circuses for those still transfixed by the babylon system.
它從未更加明顯過對於那些人，他們已從流行文化施加於他們的睡眠中醒來，那是音樂行業現在泵出最簡單化、單調的確立，垃圾那實際上用來誘發抑鬱和絕望在那些開明和醒覺的人，同時由巴比倫系統提供催眠麵包和馬戲給那些仍然呆若木雞的。
If the readers of this website sat down and watched MTV for an hour, they’d probably come away feeling dazed, confused, and disgusted at the parade of sickness, idolatry and worship of everything that’s wrong in our society. Love of money, the evisceration of morality, the exaltation of post-modern nihilism, the attack on the family, the normalization of the bizarre, the sick and the twisted.
如果這網站的讀者坐下和看MTV一小時，他們將可能離開時感到茫然、困惑、和厭惡不適、偶像崇拜和崇拜每一樣在我們社會是錯的東西的遊行，熱愛金錢、對道德的嗤之以鼻，推崇後現代虛無主義，攻擊家庭，將離奇的正常化，不適的和扭曲的。
Mainstream popular culture is nothing more than a tool which the elite use to make us feel worthless, pathetic, powerless and hopeless. They want us to believe that the most significant thing we can ever achieve in life is to look cool and garner the approval of our peers by wearing the uniform of whatever cult we are mandated to belong to, and that we can only accomplish this by mimicking the retarded behavior of the people we see in music videos. This is why legions of young people, whatever color they are or background they come from, walk around trying to look like and imitate rappers who wear their pants half way down their legs, can barely talk, and only live for getting smashed out of their skulls and having meaningless random sex with women who they objectify as instruments of carnal pleasure.
主流大眾文化只不過是一件工具，那是精英用來使我們感到毫無價值、可憐、無力和絕望。他們要我們相信，我們人生中能達成最重要的事情是看來夠酷，和獲得同儕間的認同，透過穿著任何我們被強制屬於的邪教制服，和那我們只能做到這通過模仿人們的弱智行為，正如我們在音樂視頻看到的。這是為什麼眾多的年輕人，無論他們是什麼人種或來自何種背景，都在四圍走動，試圖看似和模仿rap歌手，他們穿的褲子有一半跌下大腿，幾乎不懂說話，生活只為渾渾噩噩和與女性有亳無意義的隨意性愛，他們物體化她們作為色慾樂趣的工具。
Easily the biggest stumbling block in trying to educate people as to why they are depressed, leading increasingly insular and emotionally unstable, unhealthy lives with declining living standards is dragging them away from the very distractions that contribute to their downfall.
容易地最大的絆腳石在試圖教育人們，如為什麼他們是抑鬱的，導致越來越狹隘和情緒的不穩定，不健康的生活與生活水平下降，在在是拖他們遠離啡常的干擾，那導致他們的墜落的。
The power of entertainment as an opiate of the masses has never been stronger, and with the widespread rollout of 3D technology, the tools of hypnotism are only becoming more and more potent.
娛樂的力量作為群眾的鴉片是從來沒有如此強大過，和有三維技術的廣泛部署，催眠術的工具是只會變得越來越強有力。
A London Guardian report entitled “Lady Gaga and the New World Order” gives serious credence to a website that not only discusses how popular music is used to keep people downtrodden and distracted, but how it is replete with messages and symbolism bragging about how the elite are using entertainment to keep the masses enslaved.
一份倫敦衛報報導題為“加加夫人和新世界秩序”，給予一網站嚴肅的信用，那裡不祇討論流行音樂是如何用來保持人民受壓迫和心不在焉，而且它是如何充滿信息和象徵主義，以誇耀精英如何使用娛樂去保持群眾被奴役。
The Vigilant Citizen has a good claim to be the world’s most distinctive music critic. On his website, vigilantcitizen.com, he describes himself as a graduate in communications and politics and a producer for “some fairly well-known ‘urban’ artists”. He has spent five years researching “Theosophy, Freemasonry, Rosicrucianism, the Bavarian Illuminati and Western Occultism”. All of these interests converge in his insanely detailed analyses of the symbolism of pop videos and lyrics. Thus Pink’s MTV awards performance mimics a Masonic initiation; Jay-Z’s Run This Town trumpets the coming of the New World Order (NWO); and the video for Black Eyed Peas’ Imma Be Rocking That Body advances “the transhumanist and police state agenda”.

What’s surprising is the methodical, matter-of-fact, occasionally humorous tone of his essays. He does not write like a swivel-eyed loon rambling about Obamunism (although, inevitably, there’s an unsavoury fascination with Jewish influence). To those who don’t study occult symbolism, he concedes, it might all seem “totally far-fetched and ridiculous”, but for those in the know “I was simply stating the obvious”. His examinations are certainly exhaustive. Scrolling down his densely illustrated posts, you may find yourself thinking, “Say, Lady Gaga really does very often cover up one eye. And a lot of pop stars really do pretend to be robots.”

Although the Vigilant Citizen insists he is neither a political conservative nor a religious fundamentalist, he is heir to such off-piste 60s pop critics as the Reverend David A Noebel, author of Communism, Hypnotism and the Beatles, and Gary Allen, who theorised that post-Rubber Soul Beatles material was so technically sophisticated that it must have been “put together by behavioural scientists in some think tank”. Leftwing thinkers at the time had their own take on pop as mind control. Peter Watkins’ 1967 movie Privilege starred Manfred Mann’s Paul Jones as a puppet of the state, pacifying the populace with catchy patriotic tunes. In such analysis, the villains may change but the mechanisms remain the same.

The fact that the Guardian writer seriously discusses how popular music is littered with elitist symbolism without sneering the whole thing off as a conspiranoid delusion is an example of how abundantly clear this process is becoming.

This kind of subject matter is no longer “out there,” it’s no longer considered wild to simply point out that popular culture and particularly popular music is exercising an undue and insidious influence on the moral, societal, and spiritual development of younger generations and humanity in general.

Nowhere was it more obvious than during a recent Beyonce performance where she was surrounded by dancing riot cops. As the vigilant citizen website explains, this is about indoctrinating people to accept “the “robotization” of the human body and the gradual introduction of a virtual police state”.

In other essays, Gaga’s habit of covering one eye is explained as her rejection of God and her induction as a Luciferian priestess.



Notice how people like Christina Aguilera copy Gaga’s symbolism of humans as soulless robots.
注意人們如何喜歡克莉絲汀娜複製加加的人類象徵主義，作為冇靈魂的機器人。
The one-eyed Luciferian theme is also seen here with Rihanna.
獨眼的路西弗的主題也見於蕾哈娜這裡。
While the website sometimes uses too broad a brush with which to identify servants of the babylon system, for example, a Bob Dylan clip is misconstrued as him saying he sold his sold to the devil, when in fact as any Dylan fan will know, in the late 70’s he became a Christian and started releasing gospel music, it does an excellent job in pointing the finger at those who really have metaphorically sold their souls - people like Katy Perry – to be used as tools with which to keep the masses in a perpetual state of disorder and spiritual decay.

Tearing down the facade of this babylon system and dragging people away from the constant hypnotic distractions of sports, dumbed-down music, fashion and every other sideshow offered up to turn our heads from our true spiritual development is as if not more important than educating people about the political aspects of the new world order agenda.

We need to make it “cool” to be informed about what is happening to our world and how we can change its course. This process has accelerated over the past decade and many music artists have incorporated this awakening into their work. Bands like Muse and the Foo Fighters, rappers like Paris and Eminem, are pushing back against the tide of zombie brainwashing being fostered on us by the likes of Gaga and Katy Perry.

There’s no better way to conclude than with Bob Marley’s “Babylon System” song, which perfectly illustrates everything we are up against in this battle.

Babylon System- Bob Marley
巴比倫系統- 鮑勃馬利
西元2007年10月27日


http://www.infowars.com/popular-music-is-the-babylon-system/

Lady Gaga的 “Alejandro”: 神秘學意義

Christina Aguilera的“今夜不是我自己”：入會和性化

Rihanna- 粗魯男 迴響2010年現場

當內幕人士暴露娛樂行業醜陋的一面

當內幕人士暴露娛樂業的陰暗面

奧巴馬 ： 是的我們能 = 多謝您撒旦

加加夫人傳說和遺留來臨中年青的貧窮一代

米高積遜的新專輯封面：象徵主義充斥

以死活到永遠